A genuine classic emulsion black-and-white film, and one of the very few still in production. Adox introduced CHS 100 II in 2014 to fill the gap left when Fotokemika in Croatia shut down and took the old Efke emulsions with it — the same emulsions Adox had sold for years as CHS Art. Rather than reviving that exact recipe, Adox developed a new single-layer, silver-rich cubic-grain emulsion coated in Germany, keeping the character of the originals while improving consistency and handling.The single-layer construction is the film's point. Modern emulsions stack several layers of differing sensitivity to build contrast and tame highlights; CHS 100 II doesn't, which gives it a long, unhurried tonal scale, high acutance, and a rendering that reads as mid-century rather than contemporary. Panchromatic with sensitivity extending unusually far into the red. Available in 35mm, 120, and sheet formats, including large and ultra-large sizes.
规格
表 1- 标称 ISO
- 100
- 冲洗工艺
- 黑白
- 状态
- 在产
- 首次发布
- 2013
- 可用画幅
- 未给出
- 片基片基 承载乳剂的透明柔性支撑体。 在术语表中阅读更多 ›
- PET
- 乳剂乳剂 胶片的感光层：悬浮在明胶中的细小卤化银晶体。 在术语表中阅读更多 ›
- 混合
- 光谱感光度光谱感光度 胶片对哪些颜色的光有反应，以及反应有多强。 在术语表中阅读更多 ›
-
正色片 ——这是什么意思
对蓝色和绿色敏感，但对红色实际上不感光。红色变得很暗，蓝色变得很亮，所以皮肤瑕疵会很突出，天空会发白。作为补偿，它可以在深红色安全灯下操作，因此你可以看着它显影。
- 颗粒度（RMS）颗粒 照片中可见的、沙粒般的质感，来自构成影像的银或染料的聚集。 在术语表中阅读更多 ›
- 未给出
- 解像力, 线对/毫米
- 未给出
- 最大密度密度 负片、透明片或照片阻挡了多少光线。 在术语表中阅读更多 ›
- 未给出
- 过曝宽容度曝光宽容度 胶片过曝或欠曝到什么程度仍能得到可用的结果。 在术语表中阅读更多 ›
- 未给出
- 欠曝宽容度
- 未给出
短横线表示该数据没有从技术资料中读取到。这里没有任何估算。
显影时间
在计算器中打开 ›按此感光度拍摄 — 已标出标称感光度
显示 40 / 42 条公开时间。
| 显影液 | 稀释比例 | EI | 温度 | 时间 | 搅动 | 来源 |
|---|---|---|---|---|---|---|
| Fomadon Excel W27 | 原液 20.0 °C | 100 | 9:00 | — | ||
| Fomadon LQN | 1+10 20.0 °C | 100 | 9:00 | — | ||
| Fomadon P | 原液 20.0 °C | 100 | 7:00 | — | ||
| Fomadon R09 | 1+50 20.0 °C | 100 | 9:30 | — | ||
| Rodinal | 1+25 20.0 °C | 100 | 5:30 | — | ||
| Rodinal | 1+50 20.0 °C | 100 | 12:30 | — | ||
| D-76 | 1+1 20.0 °C | 100 | 9:00 | — | ||
| D-76 | 原液 20.0 °C | 100 | 6:30 | — | ||
| ID-11 | 1+1 20.0 °C | 100 | 7:30 | — | ||
| Rodinal | 1+100 20.0 °C | 100 | 30:00 | — | ||
| FX-39 Type II | 1+9 20.0 °C | 100 | 7:30 | — | ||
| Rodinal | 1+25 20.0 °C | 100 | 5:30 | — | ||
| Rodinal | 1+50 20.0 °C | 100 | 12:30 | — | ||
| Atomal 49 | 原液 20.0 °C | 100 | 6:30 | — | ||
| Atomal 49 | 1+1 20.0 °C | 100 | 10:00 | — | ||
| FX-39 Type II | 1+19 20.0 °C | 100 | 13:00 | — | ||
| Silvermax Developer | 1+19 20.0 °C | 100 | 8:30 | — | ||
| Ilfotec DD-X | 1+4 20.0 °C | 100 | 7:00 | — | ||
| ID-11 | 1+1 20.0 °C | 100 | 7:30 | — | ||
| D-76 | 原液 20.0 °C | 100 | 6:30 | — | ||
| D-76 | 1+1 20.0 °C | 100 | 9:00 | — | ||
| HC-110 | Dilution B (1+31) 20.0 °C | 100 | 5:30 | Kodak — 开始 30 秒，之后每 30 秒搅动 5 秒 | ||
| HC-110 | Dilution D (1+39) 20.0 °C | 100 | 7:00 | Kodak — 开始 30 秒，之后每 30 秒搅动 5 秒 | ||
| HC-110 | Dilution E (1+47) 20.0 °C | 100 | 9:00 | Kodak — 开始 30 秒，之后每 30 秒搅动 5 秒 | ||
| XTOL | 1+1 20.0 °C | 100 | 8:00 | — | ||
| Rodinal | 1+25 20.0 °C | 100 | 5:30 | — | ||
| Rodinal | 1+50 20.0 °C | 100 | 12:30 | — | ||
| Atomal 49 | 原液 20.0 °C | 100 | 6:30 | — | ||
| Atomal 49 | 1+1 20.0 °C | 100 | 10:00 | — | ||
| FX-39 Type II | 1+19 20.0 °C | 100 | 13:00 | — | ||
| Silvermax Developer | 1+19 20.0 °C | 100 | 8:30 | — | ||
| Ilfotec DD-X | 1+4 20.0 °C | 100 | 7:00 | — | ||
| ID-11 | 1+1 20.0 °C | 100 | 7:30 | — | ||
| D-76 | 原液 20.0 °C | 100 | 6:30 | — | ||
| D-76 | 1+1 20.0 °C | 100 | 9:00 | — | ||
| HC-110 | Dilution B (1+31) 20.0 °C | 100 | 5:30 | Kodak — 开始 30 秒，之后每 30 秒搅动 5 秒 | ||
| HC-110 | Dilution D (1+39) 20.0 °C | 100 | 7:00 | Kodak — 开始 30 秒，之后每 30 秒搅动 5 秒 | ||
| HC-110 | Dilution E (1+47) 20.0 °C | 100 | 9:00 | Kodak — 开始 30 秒，之后每 30 秒搅动 5 秒 | ||
| XTOL | 1+1 20.0 °C | 100 | 8:00 | — | ||
| HRX | 1+17 20.0 °C | 100 | 11:00 | — |
按显影液列出的显影时间
14 种显影液- Atomal 49 — CHS 100 II 使用 Atomal 49 4
- D-76 — CHS 100 II 使用 D-76 6
- FX-39 Type II — CHS 100 II 使用 FX-39 Type II 3
- Fomadon Excel W27 — CHS 100 II 使用 Fomadon Excel W27 1
- Fomadon LQN — CHS 100 II 使用 Fomadon LQN 1
- Fomadon P — CHS 100 II 使用 Fomadon P 1
- Fomadon R09 — CHS 100 II 使用 Fomadon R09 1
- HC-110 — CHS 100 II 使用 HC-110 6
- HRX — CHS 100 II 使用 HRX 1
- ID-11 — CHS 100 II 使用 ID-11 3
- Ilfotec DD-X — CHS 100 II 使用 Ilfotec DD-X 2
- Rodinal — CHS 100 II 使用 Rodinal 7
- Silvermax Developer — CHS 100 II 使用 Silvermax Developer 4
- XTOL — CHS 100 II 使用 XTOL 2
特点
Tonality: long, gently rising curve with generous shoulder. Highlights hold on much longer than a modern 100-speed film before blocking up; midtones are where it separates best.
Grain: cubic, clearly visible, sharp-edged rather than mushy. Not fine by modern standards — closer to the look of a 1960s emulsion than to Delta or T-Max.
Sharpness: excellent. The thin single-layer coating gives strong edge definition, which is a large part of why the grain reads as crisp rather than soft.Red sensitivity: extended, so reds and warm skin render lighter than expected and skies go paler without a filter. A yellow or orange filter has a stronger effect here than on most panchromatic films.
Glow: highlights bloom slightly around hard light sources — a characteristic of thin classic emulsions and a large part of why people choose it.
Latitude: wide on the overexposure side, less forgiving under. Many shooters rate it at EI 50–80 to open the shadows.
Developers: Rodinal/Adonal 1+50 is the traditional pairing and emphasises the sharpness and grain. Atomal 49 or D-76/ID-11 tames the grain and gives a softer, more compact scale. XT-3 sits between.
Handling: the emulsion is softer than modern films. Wash and squeegee carefully; avoid hardening-free workflows getting warm, and expect 120 to curl.
Best suited to: landscape, architecture, still life, portraiture in soft light — subjects with long tonal ranges and time to expose carefully. Less suited to fast handheld work or scenes needing clean shadow detail at box speed.
In one line: the closest thing currently in production to what black and white film looked like before multi-layer coating.
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关于它在实际使用中表现的笔记——它在现场的表现与技术资料所说的同样重要。
还没有评论。来第一个说说它实际表现如何吧。